Rock paintings at Taira on the Río Loa in the Atacama Desert, northern Chile. These engraved and painted depictions of llamas are attributed to the Neolithic Atacameños. - Book: Picture 41 - Chile - 1976

Snuff set - Origin: Quitor - Museum San Pedro de Atacama (province Antofagasta) - Chile - 1976

Tablet male - Origin: Coyo Oriental - Museum San Pedro de Atacama (Province of Antofagasta) - Chile - 1976

Handle of a snuff box from the Atacameños (found at Coyo Oriental), made of carved black wood with shell inlays (width at top: 7 cm). Formally, the depiction is reminiscent of the central figure of the Sun Gate at Tiahuanaco (cf. Figure 124). Museo San Pedro de Atacama, Chile. - Book: Picture 78 - Chile - 1976

Tablet female - Origin: Quitor - Museo San Pedro de Atacama (Provincia Antofagasta) - Chile - 1976

Arrowheads - in natural glass or meteorite showers - Neolithic period - Origin: Sequitor Alambrado, San Pedro de Atacama - Museum San Pedro de Atacama - Chile - 1976

Anthropomorphic jug from the Second Phase of the Atacama culture (height 19 cm) in the characteristic black pottery. Museo San Pedro de Atacama, Chile - Book: Picture 54 - Chile - 1976

Abstract anthropomorphic bottle - Second phase of the Atacameña culture - Height 18,5 cm - Museum San Pedro de Atacama (Antofagasta province) - Chile - 1976

Two anthropomorphic bottles, naturalistic left 19 cm, abstract right 18,5 cm - Second phase of the Atacameña culture - Museum San Pedro de Atacama (Antofagasta province) - Chile - 1976

Vessel Incisa - diameter 18,5 cm - Atacameña culture, last period of the second phase - Museum San Pedro de Atacama (Antofagasta province) - Chile - 1976

Carob wood duck - length 18 cm - Atacameña culture - Origin: Quitor - Museum San Pedro de Atacama (province Antofagasta) - Chile - 1976

Basket with figure with axe and 3 javelins - diameter 35 cm - Atacameña culture second phase - Museum San Pedro de Atacama (Antofagasta province) - Chile - 1976

Detail of a basket with figure with axe and 3 throwing spears - diameter 35 cm - Atacameña culture second phase - Museum San Pedro de Atacama (Antofagasta province) - Chile - 1976

Skull with a headband from an Atacameño grave of the Second Phase at the Quitor 6 site in the Atacama Desert. The grave contained only the skull, without the rest of the skeleton. Such ritual skull burials have not yet been recorded at any other site in South America. Museo San Pedro de Atacama, Chile. - Book: Picture 55 - Chile - 1976

Female skull with hair band - Atacameña culture second phase - Origin: Coyo Oriental - Museum San Pedro de Atacama - Chile - 1976

Skull of a child - Second phase of the Atacameña culture - Origin: Quitor (province of Antofagasta) - Museo San Pedro de Atacama - Chile - 1976

Mummy of a young woman - Second phase of the Atacameña culture - 300 BC - Origin: Solor - Museum San Pedro de Atacama - Chile - 1976

Skull of a man with Bonnet-Turban - with a blanket with geometrical figures - Atacameña culture second phase - Origin: Coyo Oriental - Museum San Pedro de Atacama - Chile - 1976

Mummy of a woman with child - Atacameña culture second phase - blanket with borders - volcanic rock and turquoise necklace - Origin: Sequitor Alambrado - Museum San Pedro de Atacama - Chile - 1976

The archaeological site of Santa Rosa de Tastil in the province of Salta, Argentina, features the well-preserved, pre-Inca stone foundations of one of the country’s largest pre-Hispanic settlements. The complex consists of compact stone houses without windows and narrow alleys. The ruins cover 17 hectares in the Quebrada del Toro gorge at an altitude of around 3,200 metres and form part of the Qhapaq Ñan (Inca road system), which is protected as a UNESCO World Heritage Site. The settlement is thought to have been inhabited between the 14th and 15th centuries, prior to the full-scale Inca expansion, and could have accommodated up to 3,000 inhabitants. – Argentina – 1975

Representations of a younger, more developed culture depict meanders, either painted or carved, forming intricate overall patterns. In certain cases, they are even extremely complex labyrinths. They too are probably an expression of religious ideas, but the exact meaning of all these symbols cannot be determined. - This rock painting is located near San Martín de los Andes. - 1975

‘La Cueva de las Manos’ is a hard-to-reach rock shelter above the Río Pinturas, between Bajo Caracoles and Perito Moreno in the Argentine province of Santa Cruz. The significance of the hands is unclear, but they are certainly of a magical nature. The paintings belong to the Toldense culture, which is estimated to date back to around 8000 BC. They are now a World Heritage Site. - Book: Picture 42 - Argentina - 1973

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