Photo Gallery

The legends are only available in German, French or Spanish
Six pumas en haut relief ornent la façade d'un original palais aujourd'hui dit «Casa de los Pumas» (Casa Velarde) de la calle Santa Teresa.

The legends are only available in German, French or Spanish
L'Ingachungana, siège impérial de l'Inca à Ingapirca, en Equateur, est sculpté en triangle à flanc d'abîme, à même la roche. Mais il s'agirait, littéralement traduit, du «jeu de hasard» de l'Inca. En forme de «canapé», le dossier en est bizarrement creusé d'une «chaine» de losanges profonds de 8 centimètres, où aurait couru et rebondi une boule de pierre.

The legends are only available in German or Spanish
Chavín-Kultur, Peru. Die gewaltige Tempelanlage in der Nähe des Dorfes Chavín de Huántar hinter der Cordillera Blanca, in der sich diese Reliefplatten befinden, gab einer Kultur den Namen, deren Einfluß in weitem Umkreis und in späteren kulturellen Formen festgestellt werden kann, so daß sie mit einer gewissen Berechtigung als Mutterkultur bezeichnet werden darf. Immer wiederkehrende Motive sind der Jaguar oder Mischwesen aus Raubkatze, Schlange und Kondor und Krieger mit Raubtierzähnen, Kondorkrallen und Schlangenhaaren (dieses Bild) oder Haaren mit Kondorköpfen. - 1976

The legends are only available in German or Spanish
Detail aus der Tempelanlage des Cerro Sechín im Casmatal an der peruanischen Pazifikküste. Der Komplex aus rund neunzig zum Teil gewaltigen Monolithplatten wird dem Küsten-Chavín-Stil zugeordnet, obwohl die Reliefs wenig mit den anderen altperuanischen Steinarbeiten zu tun haben und eher Ähnlichkeiten mit der mexikanischen Monte-Albán-Kultur aufweisen. Die im Profil dargestellten Figuren blicken alle zum Haupteingang des Tempels. - 1976

Stone figure of the Huaylas type - Private collection - Lima - 1969

The legends are only available in German or Spanish
Die Zentralfigur des Sonnentores von Tiahuanaco, Bolivien. Wie bei der Figur auf der Raimondi-Stele (Chavín-Kultur) ist der Kopf annähernd so groß wie der Körper. In beiden Händen hält der Sonnengott Zepter, die in Kondorköpfen auslaufen, sein Haar endet in Schlangen - und Jaguarköpfen. Tränen als Symbol der Fruchtbarkeit und des Regens laufen über sein Gesicht. Umgeben ist er von 148 geflügelten, ihm zugewandten Gestalten, die man als Sinnbild von Bewegung und Zeit deutete. Die Tiahuanaco-Kultur hat die Inka-Zivilisation am direktesten geprägt. - 1976

On the Bolivian plateau, the legendary creator god Kon Tiki Viracocha guards the secrets of a sunken world like a "sphinx". In the mask of a radiation-framed puma, he adorns the famous sun gate of Tiahuanaco, which consists of a single block of andesite, almost 3 m high and 4 m wide, weighing almost 10 tons. - 1976

The Lanzón of Chavín is a sacred monolith or wanka that belongs to the Chavín culture. It is carved in irregular granite, 4.54 m high and is located in its original location in a sector of an interior gallery of the Old Temple of Chavín. It is called the "Lanzón" because it has the shape of a giant spire whose ends are firmly embedded in the floor and ceiling of the gallery. It has three sides covered with engraved motifs representing a deity with human features mixed with those of animals. It is the largest of the sculptures or monoliths preserved from the Chavín culture. - 1969

During the excavations in Chavín, fragments of stone slabs with anthropomorphic figures were found, probably belonging to a roof cornice. - 1969

This stele shows a figure of a magical-religious cult, under whose influence the whole of ancient Peru was under around 1000 BC. The figure carries a sceptre; hair and belt are made of snakes. Most of these peculiar representations of Chavín also have wings; fangs, cat's claws or birds of prey claws are characteristic features. - 1969

During the excavations in Chavín, fragments of stone slabs with anthropomorphic figures were found, probably belonging to a roof cornice. - 1969

Detail from the temple complex of Cerro Sechín in the Valley of Casma on the Peruvian Pacific coast. The complex of around ninety monolithic slabs, some of them enormous, is attributed to the coastal Chavín style, although the reliefs have little in common with other ancient Peruvian stonework and show more similarities with the Mexican Monte Albán culture. - 1976

Detail from the temple complex of Cerro Sechín in the Casmatal on the Peruvian Pacific coast. The complex of around ninety monolithic slabs, some of which are enormous, is attributed to the coastal Chavín style, although the reliefs have little in common with other ancient Peruvian stonework and show more similarities with the Mexican Monte Albán culture. The figures in profile all look towards the main entrance of the temple. - 1976

Very often, on the heights of the Collao Altiplano around Lake Titicaca, one finds those strange monolithic chullpas, mummy graves of high leaders and members of a mysterious race that existed "before the sun rose". In Sillustani, on the Umayo peninsula on the lake of the same name, there are twelve tomb towers, some of which have collapsed. This tower has the relief of a lizard. - 1969

Very often, on the heights of the Collao Altiplano around Lake Titicaca, one finds those strange monolithic chullpas, mummy graves of high-ranking leaders and members of a mysterious race that existed "before the sun rose". The blunt, 12 m high burial tower of Cutimbo, near Puno, has a relief with pumas at its base.

The petroglyphs of Toro Muerto are located in the Majes valley and are spread over an area of 5 km². It is perhaps the richest area of rock art in the world; it has more than 6'000 blocks engraved in bas-relief. These blocks have been engraved with all kinds of geometric and anthropomorphic representations, birds, quadrupeds, reptiles, etc. - 1976