Photo Gallery

The legends are only available in German, French or Spanish
Crieur de journaux de la ville d'Arequipa jouant à la toupie. - 1969

The legends are only available in German, French or Spanish
L'architecture coloniale d'Arequipa fait emploi d'une pierre blanchâtre très facile à travailler. Les monuments religieux sont couverts d'éléments décoratifs exécutés avec un talent remarquable.

The legends are only available in German, French or Spanish
Arequipa est la deuxième ville du Pérou. Elle est dominée par le volcan Misti (altitude 5822 mètres). - 1969

The legends are only available in German, French or Spanish
La neige, en Amérique du Sud, surprend toujours! Mais à 4.000 mètres d'altitude ce troupeau de lamas au repos dans le corral, s'en accommode durant l'hiver austral.

The legends are only available in German, French or Spanish
Non moins frappant est ce kero-portrait en haut relief, «tatoué» de trois bandes superposées noire, marron et rouge. En couvre-nuque, une scène royale dépeint l'Inca, son blason et son épouse, éventés par le parasol de plumes qu'agitent les traditionnels cumillos. Un autre bossu joue de la tinya (tambour) tandis que fleurs et motifs géométriques complètent la décoration (21 x 16 x 11,5 centimètres). (Museo de la Universidad nacional de San Agustin, Arequipa, Pérou.)

On the Panamericana, between Arequipa and Ica, the gate on the back wall of a truck has opened and a load of oranges has been poured onto the road. - 1969

The petroglyphs of Toro Muerto are located in the Majes valley and are spread over an area of 5 km². It is perhaps the richest area of rock art in the world; it has more than 6'000 blocks engraved in bas-relief. These blocks have been engraved with all kinds of geometric and anthropomorphic representations, birds, quadrupeds, reptiles, etc. - 1976

The Toro Muerto petroglyphs in the Majes Valley in the Arequipa region comprise thousands of volcanic boulders bearing prehistoric rock carvings. The site is situated in the desert in the district of Uraca, in the province of Castilla, some 150 km north-west of the city of Arequipa. Over 5,000 to 6,000 engraved boulders depict zoomorphic, anthropomorphic and geometric motifs such as animals, dancers and symbols. The most densely concentrated core area, where most of the engraved boulders are found, covers approximately 5 square kilometres. Within this main area, the finds extend over a length of approximately 3.8 kilometres and a width of about 250 metres. – Peru – 1976

The petroglyphs of Toro Muerto in the Majes Valley in the Arequipa region are among the largest and most significant sites of prehistoric fish and rock art in the world. They date mainly from the Wari period and the late Intermediate Period (c. 500 to 1440 AD). The site covers several square kilometres of barren desert landscape and is regarded as an important testament to the early ritual and cosmological expressions of Andean cultures. Peru – 1976

The city of Arequipa, founded by the Spanish as early as 1540 at an altitude of 2,370 metres, now has a population of around two hundred thousand and lies in a narrow high-altitude basin where agriculture is only possible thanks to artificial irrigation. It owes its nickname, ‘the White City’, to the white tuff used as a building material. Arequipa is dominated by the 5,842-metre-high Misti, one of Peru’s few active volcanoes. Only during the summer rainy season is its smooth cone covered by a cap of snow. - Book: Picture 7 - Peru - 1976

The green agricultural landscape, with its traditional terraced fields (campiña) in the foreground, is dominated by the striking, snow-capped volcano El Misti. The stratovolcanic cone of El Misti rises majestically to over 5,820 metres in southern Peru and dominates the panorama of Arequipa. – Peru – 1976

The valley of the Río Vitor near Arequipa in southern Peru. The river feeds the agricultural oases and fields in the midst of this extremely arid landscape of deserts and canyons. On the horizon towers the imposing, snow-capped Chachani volcanic complex. At an altitude of approximately 6,057 metres, it is one of the defining mountains that frame the basin around Arequipa. This panorama illustrates the stark contrast between the barren Andean plateau, the snow-capped volcanic giants and the fertile river valleys on Peru’s Pacific coast. – 1976

The rivers flowing down from the Western Cordillera cross the Peruvian coastal desert on their way to the Pacific Ocean. Around forty box-shaped valleys with broad floors and steep sides are carved into the desert plateau, which slopes gently down towards the sea. With their vineyards, lucerne fields and vegetable plots lined with rows of trees, they form green oases in a barren landscape. When travelling along the Carretera Panamericana and passing through these valleys, such as that of the Rio Vítor, one is constantly surprised by the sight of the fertile strips of cultivated land that criss-cross the desert. - Book: Picture 88 - Peru - 1976

The Santa Catalina Convent in Arequipa is a cloistered complex founded in 1579, laid out like a small colonial-era town. The buildings and arcades were largely constructed from white, porous volcanic stone (sillar), which is characteristic of Arequipa’s historic city centre. The deep ochre and orange tones of the walls in the cloisters form a striking contrast to the light-coloured stone buildings and the blue sky. The walled complex contains labyrinthine alleyways, squares, the nuns’ living quarters and beautiful courtyards. Peru – 1976

The Monastery of Santa Catalina (Monasterio de Santa Catalina de Siena) in Arequipa is a sprawling cloistered complex founded in 1579, which resembles a colourful citadel or a ‘city within a city’. The complex captivates visitors with its walls painted in vibrant blue and deep red, narrow alleyways (such as Calle Sevilla, visible here) and courtyards made of volcanic sillar stone. For almost four centuries, nuns lived here in complete seclusion from the outside world before the historic part was opened to the public as a museum in 1970. The convent is regarded as one of Peru’s most significant colonial buildings and forms part of the UNESCO World Heritage Site of the historic city centre of Arequipa. – 1976

A picturesque alleyway with white archways and red flowers at the famous Monasterio de Santa Catalina (Monastery of St Catherine) in Arequipa. The complex consists of buildings made of sillar (volcanic tuff) painted in bright white and deep red. Founded in the 16th century, this cloistered convent resembles a small, self-contained town within the city of Arequipa. Its narrow alleyways, courtyards and flower beds make it one of Peru’s most important sights. – 1976

A young lottery ticket seller in Arequipa, which, with a population of 200,000, is Peru’s third-largest city and the most important economic centre in the south of the country. - Book: Picture 184 - Peru - 1969

A herd of alpacas and llamas grazing at Laguna de Salinas in the “Reserva Nacional de Salinas y Aguada Blanca”, at an altitude of over 4,200 metres in the Arequipa region. The volcano in the background is Mount Ubinas. It stands at 5,672 metres and is considered Peru’s most active volcano. – Peru – 1969

The Peruvian Puna is a land of tranquillity and solitude. Behind this herd of grazing llamas, the Ubinas volcano rises to a height of 5,632 metres on the border between the departments of Moquegua and Arequipa. - Book: Picture 102 - Peru - 1976

The photograph shows a herd of llamas and alpacas, led by a herder pushing a bicycle. The vast, bright plain in the background is the Laguna de Salinas (also known as the Salar de Salinas), and the striking, snow-capped peak in the background is the highly active stratovolcano Ubinas (5,672 m). This landscape forms part of the southern section of the Salinas y Aguada Blanca National Reserve, which stretches across the regions of Arequipa and Moquegua in southern Peru. – 1976

A campesino from the village of San Antonio de Chuca, Arequipa Department, Peru. The ear-flapped hat, known as a ‘chullo’, protects against the often biting cold of the Altiplano. Occasionally, the indigenous people wear a hat over the chullo to shield themselves from the glaring sun. - Book: Picture 82 - Peru - 1969