Watertight hat made of spruce roots, woven by Isabella Edenshaw (1858-1926) and painted by her husband, Charles Edenshaw (1839-1920), a famous Haida artist from Masset. The painting shows Raven in double profile. (about 40 cm, ASM)
ASM = Alaska State Museum, Juneau

An old chiefs hat, woven of fine spruce roots and decorated at the top with an ermine skin (about 1850). Each of the cylindrical rings is said to symbolize a potlatch hosted by the wearer of the hat, although the generally held theory that such rings are "potlatch rings" is controversial. The painted design could represent an eagle or the wealth-bringing sea monster Gonakadet. (61 cm, ASM)
ASM = Alaska State Museum, Juneau

Harold Jacobs, a young crafts apprentice at the Southeast Alaska Indian Cultural Center in Sitka, poses in ceremonial clothing. He is wearing a wooden wolf hat, a thunderbird Chilkat blanket, and a silver nose ring. The wolf rattle he is holding, carved by Reggie B. Peterson, tells us that Harold Jacobs is a member of the wolf moiety.

This replica of an eagle clan hat was specifically made for the museum by a Tlingit artist. It is made of haliotis and human hair. (27 cm diagonal; ASM)
ASM = Alaska State Museum, Juneau

Thanks to the twined-weaving technique, this Nootka whale-hunting hat is waterproof. Jessie Webster (born 1909), a Nootka artist in Ahousat, located on Flores Island, wove this fine piece out of cedar bark fiber and dyed grasses. According to her account, this is a Maquinna hat, named after the powerful chief of the Mowachaht Nootka at the time of contact with James Cook. (26 cm; MOA)
MOA = Museum of Anthropology, University of British Columbia, Vancouver

In her home in Ketchikan, Holly Churchill-Burns demonstrates the art of weaving a Haida hat from spruce roots. When she was a child, she says that she often had to help her mother, Delores Churchill-Peratrovich, gather roots and cedar bark, and that she made early attempts at basket-weaving. At that time she was a less enthusiastic weaver than her sister, April Churchill-Varnell. Now, however, she has begun to feel that she, too, wants to continue this tradition of her Haida family. She was inspired, in part, by an exhibition of contemporary basket-weaving in Alaska dedicated to her grandmother, Selina Peratrovich, a Haida woman from Masset.

The legends are only available in German, French or Spanish
Les femmes indiennes du département du Cuzco portent des chapeaux plats. On les distingue très facilement des métis qui, elles, sont coiffées d'un couvre-chef de couleur blanche, orné d'un ruban. Marché de Chincheros (département du Cuzco). - 1969

The legends are only available in German, French or Spanish
Deux métisses d'Ayacucho attendent l'arrivée de l'autobus qui les ramènera à leur village. - 1969

The legends are only available in German, French or Spanish
Sur les marchés de la Cordillère on peut acheter, pour quelques centavos seulement, un grand verre de chicha (bière) de maïs préparée par la marchande. - 1969

The legends are only available in German, French or Spanish
A Iquitos où la chaleur est accablante on se désaltère surtout en consommant des fruits tropicaux. - 1969

People from the province of Paruro participate in a folk festival in Cuzco - Young boy with a hat made of dried agave leaves. - 1969

Folklore festival in Cuzco - a musician from Taquile Island on Lake Titicaca playing the Zampoña. - 1969

A Jesuit who came from Chile introduced the vine to Argentina in 1556. However, it was not until the 19th century that winegrowing took off considerably and became one of the country's most important food industries. The provinces of Mendoza, San Juan, Córdoba, Río Negro, San Luis and Salta are the wine-growing regions par excellence in Argentina. The total area covered by vineyards is almost 300,000 hectares. The annual wine production for all the provinces mentioned amounts to approximately 30 million hectolitres. Argentina is the fourth largest wine producer in the world. The most modern facilities are located in Mendoza, where winemaking has developed in a truly spectacular way. For the whole country, the grape harvest takes place during the month of March, at the end of the southern summer. A festive atmosphere prevails in all the localities concerned. The wine is put into wooden or cement fermentation vats. The alcohol content of Argentinean wine is 12.5 degrees. The old man in the photo is a connoisseur of the new wine. It illustrates the friendly fondness that Argentines have for a drink that is found at every meal. - 1973

The gauchos of Salta wear a flat hat reminiscent of the headgear of the Andalusians. - 1973

On this chair, a gaucho has laid out his indispensable daily utensils: the chambergo (hat), the bolas, the leather lasso, the riding whip, the facón (knife), the tirador (belt), the stirrups, the bombilla and the mate. - 1973

The tradition of the gaucho begins in his youth. - Molinos, Salta Province - 1973

The young women also wear traditional clothing, taken on June 17, 1973 during the celebrations for the anniversary of the death of Martín Miguel de Güemes.

Arturo Fernandez has a finca near Salta where he tries to keep the traditional things alive. - Estancia Campo Alegre, Salta - 1973

Various items that accompany the life of a gaucho, including a guitar and bombo. - Estancia Campo Alegre, Province Salta - 1975

Mestizo woman making hats in her workshop. This craft is quite common among the inhabitants of the village of Monimbo, near Mayasa, Nicaragua. These hats are very popular with both farmers and visiting tourists. (Singer sewing machine) - 1977

Doña Concepción Pacach Tzina wears the traditional dress of her people and lives in the village of Santiago de Atitlán in Guatemala. The typical costume is an example of the culture of every town in Guatemala. One of the most striking accessories is the famous tocoyal of Santiago Atitlán. The tocoyal is a ribbon that is wrapped around the head and is between 20 and 25 yards long, which is roughly equivalent to between 16 and 21 metres. To use it, it is wrapped around the head 20 times, simulating a hat. The 20 loops refer to the Mayan calendar and also signify the continuity of life, the feathered serpent and the Tzu'tujil culture. One of the most famous personalities to wear this garment was Doña Concepción Ramírez Chonita from Santiago Atitlán, who won the competition to be depicted on the 25 cent coin of the national currency in 1936. - 1977

The typical costume is a sample of the culture of each village in Guatemala. One of the accessories that stands out the most is the famous Tocoyal of Santiago Atitlán. The Tocoyal is a ribbon that is wrapped around the head and measures between 20 and 25 rods long, or approximately 16 and 21 metres. The way it is used is by wrapping it 20 times around the head, simulating a hat. The 20 turns are related to the Mayan calendar and also signify the continuity of life, the feathered serpent and the Tzu'tujil culture. One of the best known personalities who wore this garment was Doña Concepción Ramírez Chonita, from Santiago Atitlán, who in 1936 won the competition to appear on the national 25-cent coin. - 1977

It is Sunday, market day in Santiago de Atitlán, on the shores of a beautiful Guatemalan lake. These men are wearing their ethnic cotton trousers with vertical stripes. Some of these garments still have multicoloured embroidery on the lower part. However, while some have kept the typical local shirt, the majority of the others have adopted the European or American cut shirt. Men who travel and work outside their community are more influenced by the outside world than women. - 1977

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of St. Thomas the Apostle. The masked dancers are considered to be imitating the Spanish invader of times past. - 1977

It is difficult to find a people with more sense of pomp and adornment than the Peul. At festivals, one can witness true competitions for male beauty. The Peul are extremely ostentatious - as far as poverty does not set natural limits to this. But it is most interesting to note that these men, whose effeminate demeanour conceals a legendary courage, like their neighbours, the Tuareg, know the ancient custom of the courtyard of love. At festivals, the participants never refrain from carrying this long sword, so similar to the takuba from the Hoggarm massif. They make up their faces with vivid colours, saffron yellow, red and white predominating, and one would come to no end to make an inventory of the jewels and amulets they are wont to spread out on these occasions. To win the approval of the lady of one's choice, one must know how to show oneself off, and looks, grimaces and contortions count.... This is what the beautiful spectacle observed at the fountain of Ekisman is all about. - Niger - 1970

Until a few decades ago, ethnography did not credit the Peul (Fula) with a prehistoric origin; but we did not yet know what prehistory has since revealed to us. This Bororo Peul, found between Abalak and In Gall, is a descendant of the Neolithic cattle herders. Although dark-skinned, but copper-coloured rather than black, the Peul may well be the heirs of the Neolithic people of Sudanese tradition, who had emerged from the mixture of several races, at least one of which came from the Mediterranean area. - Eskiman well - Niger - 1970

It is difficult to find a people with more sense of pomp and adornment than the Peul (Fula). At festivals, one can witness true competitions for male beauty. The Peul are extremely ostentatious - as far as poverty does not set natural limits to this. But it is most interesting to note that these men, whose effeminate demeanour conceals a legendary courage, like their neighbours, the Tuareg, know the ancient custom of the courtyard of love. At festivals, the participants never refrain from carrying this long sword, so similar to the takuba from the Hoggarm massif. They make up their faces with vivid colours, saffron yellow, red and white predominating, and one would come to no end to make an inventory of the jewels and amulets they are wont to spread out on these occasions. To win the approval of the lady of one's choice, one must know how to show oneself off, and looks, grimaces and contortions count.... This is what the beautiful spectacle observed at the fountain of Ekisman is all about. - Niger - 1970

It is difficult to find a people with more sense of pomp and adornment than the Peul. At festivals, one can witness true competitions for male beauty. The Peul are extremely ostentatious - as far as poverty does not set natural limits to this. But it is most interesting to note that these men, whose effeminate demeanour conceals a legendary courage, like their neighbours, the Tuareg, know the ancient custom of the courtyard of love. At festivals, the participants never refrain from carrying this long sword, so similar to the takuba from the Hoggarm massif. They make up their faces with vivid colours, saffron yellow, red and white predominating, and one would come to no end to make an inventory of the jewels and amulets they are wont to spread out on these occasions. To win the approval of the lady of one's choice, one must know how to show oneself off, and looks, grimaces and contortions count.... This is what the beautiful spectacle observed at the fountain of Ekisman is all about. - Niger - 1970

This young Peul wears the typical hat of the Zinder region - Southern Niger - 1970

A craftswoman weaving a traditional toquilla straw hat (often mistakenly referred to as a ‘Panama hat’). Cuenca in Ecuador is regarded worldwide as the most important centre for the production and export of these famous toquilla straw hats. They are painstakingly hand-woven from the fine fibres of the toquilla palm. Whilst the weaving of the rough forms often takes place in the surrounding villages of the province of Azuay, the hats are washed, bleached, moulded into shape and finished in the workshops and factories in Cuenca itself. The traditional weaving of these straw hats in Ecuador has been officially inscribed by UNESCO on the Representative List of the Intangible Cultural Heritage of Humanity. – 1977

Cuenca in Ecuador is regarded as the global centre for the processing and export of genuine toquilla straw hats. Whilst the fine straw is harvested on the coast and is often woven by hand in rural areas, the hats are finished in Cuenca’s renowned workshops. The hat blanks are cleaned to preserve their characteristic light colour. The protruding straw strands visible in the photograph are carefully trimmed by hand. The hat is shaped into its typical form using either traditional or modern hydraulic presses and heat. Finally, the inner sweatband and the classic black outer band are sewn on. – 1977

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the flower offerings: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the flower offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create arrangements in the shape of branches. - Book: Picture 39 - Ecuador - 1976

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas Midnight Mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers into specific circular shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 36 - Ecuador - 1976

The Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 38 - Ecuador - 1976

An indigenous woman from the Saraguro culture in the province of Loja, Ecuador, recognisable by her traditional clothing and distinctive white felt hat. The woman is wearing striking silver earrings and traditional beaded necklaces. A silver brooch (‘Topo’, a traditional garment pin) holds her dark cloak in place over a red blouse. – Ecuador – 1977

The Saraguro in the province of Loja, Ecuador. The topos – the pins used by Saraguro women to fasten their ponchos – are unique to this tribe in that they feature a sun-shaped head. In Peru, they are spoon-shaped. - Book: Picture 37 - Ecuador - 1977

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: Cajamarca’s traditional hats are made from toquilla straw (plant fibre). - Book: Picture 85 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: a market vendor spins her wool as she walks. - Book: Picture 84 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ – the room that Atahualpa had filled with gold – is on display. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: a market vendor carries her new hat home on top of her old one. - Book: Picture 86 - Peru - 1976

Unlike the better-known markets in and around Cusco, the Sunday market in Urcos (Quispicanchi Province, Cusco Region) remains almost untouched by mass tourism. Locals from the surrounding villages arrive dressed in their finest traditional costumes to sell fresh produce and share a large glass of freshly fermented ‘chicha de jora’. This is a traditional, alcoholic maize beer from the Andes, with a history stretching back thousands of years in what is now Peru, Bolivia and Ecuador. It is regarded as the ‘sacred drink of the Incas’ and was traditionally drunk during religious ceremonies in honour of the sun deities and the Earth Mother, Pachamama. – Peru – 1976

An indigenous woman from Chinchero wearing the hat typical of the Cuzco region. The borders on the top of the hat symbolise the Inca empire of Tahuantinsuyu, the empire of the four corners of the world with Cuzco at its centre. The delicate motifs on the manta are also characteristic of this region. - Book: Picture 101 - Peru - 1969

An indigenous man from Tarabuco in the Bolivian department of Chuquisaca. His cap is reminiscent of the shape of Spanish helmets from the time of the Conquista. - Book: Picture 144 - Bolivia - 1976

The striking redness of this child’s cheeks is typical of the inhabitants of the Altiplano. It is caused by a combination of thin high-altitude air, intense UV radiation and an icy wind. The child is wearing a typical, thickly woven woollen tunic or poncho, which provides protection against the extreme temperatures and the cold at high altitudes. The dark felt hat (often known as a bombín or bowler hat) is a key cultural symbol of the indigenous people of the Bolivian Andes. – Escara in the Department of Oruro – Bolivia – 1976

An indigenous woman from the region around San Pedro de Atacama in northern Chile. She is wearing the wide-brimmed straw hat (sombrero de paja) typical of the Andean region, which serves as essential protection from the sun in the Atacama Desert – the driest place on earth. Her deep wrinkles and dark complexion reflect the extremely harsh climate, the intense sunlight and the harsh aridity of the Chilean highlands. – Chile – 1976

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