Dance of dressed women, rock painting (Tadrart / Algeria)

The dancers in ceremonial dress appear to be wearing long tunics, the band of cloth at the waist could be a knot. Note the structure of the caps and the original ornament of the heads. The arms wear many rings. (Tan-Zoumaïtak -Tassili n'Ajjer - Algeria)

Chilkat dancers in the large theater in Haines, Alaska. Tlingits were not the only participants; young white people were allowed to join the group. Could this be genuine cultural exchange?

The legends are only available in German, French or Spanish
Les fêtes occupent une place importante dans la vie spirituelle des habitants de la Sierra. Les indigènes aiment à se rendre en dansant d'une communauté à une autre. - 1969

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of St. Thomas the Apostle. The masked dancers are considered to be imitating the Spanish invader of times past. - 1972

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of St. Thomas the Apostle. The masked dancers are considered to be imitating the Spanish invader of times past. - 1977

It is difficult to find a people with more sense of pomp and adornment than the Peul. At festivals, one can witness true competitions for male beauty. The Peul are extremely ostentatious - as far as poverty does not set natural limits to this. But it is most interesting to note that these men, whose effeminate demeanour conceals a legendary courage, like their neighbours, the Tuareg, know the ancient custom of the courtyard of love. At festivals, the participants never refrain from carrying this long sword, so similar to the takuba from the Hoggarm massif. They make up their faces with vivid colours, saffron yellow, red and white predominating, and one would come to no end to make an inventory of the jewels and amulets they are wont to spread out on these occasions. To win the approval of the lady of one's choice, one must know how to show oneself off, and looks, grimaces and contortions count.... This is what the beautiful spectacle observed at the fountain of Ekisman is all about. - Niger - 1970

526 - Séfar (Tassili-n'Ajjer). – Scene of a ritual dance. The polychrome figures: dark brown, red, white, light yellow, are richly dressed and coiffed. They appear to be holding a stick. The tallest dancer is 0.48 m tall.

637 - Bardaï (Tibesti). - Drawing by Maximilien Bruggmann representing six figures from a fresco that contains eighteen in total, spanning 1.55 m in length. Each figure measures about 0.20 m in height. It may depict a dance scene. Each individual wears a feather, sometimes two, on their head. It is unclear if they are dressed, as their visible genitalia suggest otherwise. However, it is likely not ithyphallicism.

637 - Bardaï (Tibesti). - (original photo) Drawing by Maximilien Bruggmann representing six figures from a fresco that contains eighteen in total, spanning 1.55 m in length. Each figure measures about 0.20 m in height. It may depict a dance scene. Each individual wears a feather, sometimes two, on their head. It is unclear if they are dressed, as their visible genitalia suggest otherwise. However, it is likely not ithyphallicism.

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. The female dancers may be inspired by the North American tradition of majorettes. - Book: Picture 152 - Bolivia - 1976

A traditional devil’s mask (Máscara de Diablada), typically worn at the Chilean festival ‘Fiesta de la Tirana’, at the ‘Festividad de la Virgen de la Candelaria’ in Puno, Peru, or at the Bolivian ‘Carnaval de Oruro’. – This dance symbolises the eternal struggle between good and evil. The dancers dress up as devils (Lucifer or demons), who are ultimately defeated by the Archangel Michael and submit to the Virgin Mary. A magnificent, colourful multi-headed dragon is mounted on the mask. In Andean iconography, European conceptions of the devil blend here with indigenous mythical creatures (such as the sacred snake Amaru) and Asian influences. The large, protruding eyes are intended to create a fixed, terrifying gaze. The mask features a wide-open mouth with pointed teeth and a protruding tongue, which emphasises the demon’s malice and ferocity. – La Paz – Bolivia – 1976

A dancer in a traditional, vibrantly coloured red devil’s costume from the Diablada dance troupe. The Diablada dance depicts the struggle between good and evil and forms the centrepiece of the various carnivals in the Andean region around Lake Titicaca. The ornate devil’s mask is adorned with horns, snakes and glittering embellishments. The dancer wears a red costume featuring embroidered aprons, metallic embellishments and distinctive boots. – La Paz – Bolivia – 1976

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. - Book: Picture 153 - Bolivia - 1976

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