Photo Gallery

29 - Tagueït bas (Aïr). - Very schematic stippled engravings. The central figure does not clearly evoke equids. To its right, a figure with a bi-triangular garment and a head in an inverted U-shape. The central figure is 0.70 m tall.

30 - Tagueït bas (Aïr). - Figures with "ant head" (equids) set against a background of animals (domesticated?). Note the spears and round shields. The animals measure between 0.30 and 0.40 m in height.

330 - Aouanrhet (Tassili-n'Ajjer). - On the left, two standing figures. On the right, a coitus scene and figures that are hard to identify. The coitus scene measures 0.16 m in width.

485 - Séfar (Tassili-n'Ajjer). - Red ochre painting with white outlines. Time of the “round heads.” Perhaps we are witnessing an intimate scene depicting a couple and their child. This is a valid hypothesis. The figure on the right wears striped pants. Note the lack of muscle mass in the thighs, in contrast to the black bovid archers.

513 - Séfar (Tassili-n'Ajjer). - A couple painted in red ochre, consisting of an archer who may be in the act of picking one of the arrows (left side), and a woman following him, with both hands stretched downward; the fingers are painted with precision. A piece of the woman’s clothing is blown by the wind to her back. Definitely a Negroid type, as revealed by several skeletons found in the region. The woman measures 0.19 m.

571 - Tin-Tazarift (Tassili-n'Ajjer). – Pastoral scene in white and ochre, from reddish-brown to light brown. Note the cap worn by both the man and the child following him, in the top right. It closely resembles the cap still worn by children during circumcision. The man is 0.24 m tall.

591 - Tin-Teferist, near Séfar (Tassili-n'Ajjer). – The three figures painted in red ochre remind us of individuals with "dash heads", but it has already been stated that this dash is only the visible part of the head, with the rest covered by light hair, with the paint in most cases having disappeared. The "lancers" facing each other are dressed in a short tunic, tight at the waist and slightly flared at the base. The one on the left wears a sort of stole hanging from both sides of the neck. With his right hand, he holds the hand of a woman in a long tunic. The central figure is 0.55 m tall.

592 - Tiffeltest, near Séfar (Tassili-n'Ajjer). – A ruminant on the right, painted in dark ochre; at the top left, a couple in red ochre that could be a man and a woman. The most interesting feature is a quadrangular structure that could represent a dwelling. The depicted panel is 0.53 m wide. The animal on the right is 0.11 m tall.

602 - Tin-Kani (Tassili-n'Ajjer). - Ox painted in red-brown, with the coat depicted by tightly spaced curved lines. Opposite, two deers are treated in white. To the right, a man in red-brown holds a stick in his hand. The width of the panel depicted: 0.82 m.

606 - In ltinen (Tassili-n'Ajjer). - Two bovines and a calf (?) painted in dark ochre. The multiplicity of bovine depictions must reflect the actual importance of the herd during the great Pastoral Period. Nevertheless, it would probably be a mistake to imagine the region where it is found as the present-day Normandy. Evidence of this can be seen in the large herds of the Peuhls today.

607 - Ihérir (in the locality of Ahréné, Tassili-n'Ajjer). – Large ox painted with patterns intended to represent the coat. A comparison should be made with the bovine engraved at Tin-Terhert (photos 578 and 579).

608 - Fadnoun (Tassili-n'Ajjer). – This photo was taken next to the painted elephant presented in the introduction (photo 5). This fresco, painted in white and red ochre, is particularly vivid. It depicts men with canine-like heads, in dynamic poses. The overall scene, completed by animals, evokes a "reportage" style.

650 - Gonoa (Tibesti). - The engraving begins to show the damage from amateur photographers who do not hesitate to rub, wet, or coat it with various products, without concern for preserving this rare artwork. It depicts a naked man with a dog-like profile and harmonious proportions, despite the slightly elongated legs. He carries an unclear, short object on his right shoulder. It is engraved with shallow but regular lines, and the artist adhered to real anatomy for the body. The representation of the sex is direct and clear. Height of the figure: 1.87 m.