Assembly
Meeting of women in the oasis of Bardaï.
Chad - Bardaï - 1968

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Tchad - Tibesti - Bardaï - Six personnages d'une fresque qui en comporte dix-huit, sur une longueur de 1,55 m. Chaque individu mesure plus ou moins 0,20 m de hauteur. Il s'agit peut-être d'une scène de danse. Chaque individu porte une plume, parfois deux, sur la tête. On ne peut dire s'ils sont habillés, le sexe apparent faisant penser le contraire. Mais il ne s'agit sans doute pas d'ithyphallisme.

The legends are only available in French!
Tchad - Tibesti - Bardaï - Guépard très schématique mais bien identifiable.

The legends are only available in French!
Tchad - Tibesti - Bardaï - Scène pastorale unissant personnages piquetés et bovidés. Les individus sont, chacun, dotés d'une sorte de faucille. La courbure ne permet pas d'envisager qu'il s'agisse d'un «boomerang». Il s'y ajoute une forme hémicirculaire inexpliquée. De la queue de la vache du centre à la pointe la plus éloignée de la corne : 0,68 m.

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Tchad - Tibesti - Bardaï - Deux très curieux personnages longilignes présentant un sexe en forme de «remontoir ». Le profil est esquissé. Les attitudes sont justes. Les traits ont été préalablement piquetés. L'homme de droite semble s'apprêter à lancer une sagaie. Il mesure 0,83 m.

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Tchad - Tibesti - Bardaï - Grand bovidé réalisé par piquetage sommaire mais régulier. Les cornes sont exagérées et l'allure subschématique.

The legends are only available in French!
Tchad - Tibesti - Gonoa - Eléphant gravé au trait profond. Le plus petit qui le précède n'est probablement pas de la même époque. Paysage typique de Gonoa dans un champ de roches volcaniques. Du front du petit éléphant à la patte postérieure du grand : 1,60 m.

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Tchad - Tibesti - Gonoa - Scène pastorale gravée par piquetage dans un style très décadent. Le premier archer, à droite, mesure 0,41 m de haut.

The legends are only available in French!
Tchad - Tibesti - Gonoa - Eléphant rendu, pour l'essentiel, par des lignes droites donnant une allure géométrique à cette gravure de style récent mais rare : 0,41 m de hauteur. Seuls le dos et la trompe sont légèrement incurvés. De la naissance de la queue à la patte arrière : 0,88 m.

The legends are only available in French!
Tchad - Tibesti - Gonoa - Sur une belle fresque de huit girafes finement gravées, un bovidé piqueté, plus tardif. A l'intérieur du bovidé, une structure inexplicable, l'homme très petit qui se tient devant la première girafe, à gauche, mesure 0,14 m de hauteur.

Party outfit
When Bardaï is celebrating, the Toubou women dress in their most beautiful attire, and the silver jewels, sometimes gold, blaze in the sun.
Chad - Bardaï - 1968

Bardaï in 1967. It remains the main town in Tibesti. - Chad - 1967

At noon, the main square of Bardaï is deserted by the population. - Chad - 1967

Between the Enneri Tao and Bardaï, an old lava flow on the edge of the track underlines the geological origin of the Tibesti in a grandiose way and makes the progression difficult. - Chad - 1967

In the Bardaï palm grove, the mosque is characterised by its smooth and uncluttered architecture. Around the town, the impressive volcanic massifs make the Tibesti an impregnable citadel. - Chad - 1967

On the arrival of an important guest in Bardaï, the camel riders throw on their ceremonial garb. This is a tradition that is by no means dying out. The nomad guards are something like the mounted police of Tibesti. - Chad - 1967

Women's meeting in the Bardaï oasis. - Chad - 1967

Zouï oasis near Bardaï. In the enclosed courtyard of a Toubou house, an old woman is busy weaving baskets. The palm fibres woven into strips, put together, make baskets or sleeping mats. While the substructure of the houses is made of brick, the roof is made of large rushes, which can be found almost everywhere in the Sahara. - Chad - 1967

The young Tubu woman Cherie sorting grains. - Bardaï - Tibesti - Chad - 1967

Tubu caravanner on the Bardaï trail. - Chad - 1967

Zouï oasis near Bardaï. In the enclosed courtyard of a Toubou house, an old woman is busy weaving baskets. The palm fibres woven into strips, put together, make baskets or sleeping mats. While the substructure of the houses is made of brick, the roof is made of large rushes, which can be found almost everywhere in the Sahara. - Chad - 1967

Grain sprouts between the date palms. The sedentary leads a hard, miserable life, he is a slave to his land. For days he draws water from the bottom of the well and empties it into the seguias, the irrigation channels that run through the cultivated land. - Chad - 1967

This Tubu woman from the Bardaï oasis, Tibesti, pours the water from her “dellou” into a seguia, the gutter that irrigates the garden she maintains. The rope to which the “dellou” is attached is fixed to the end of a long wooden pendulum weighted with a stone at the other end, so as to form a pendulum. This is a long, tedious and arduous task which, with countless variations, is repeated in all the oases over the entire surface of the Sahara, between the Red Sea and the Atlantic. The only exception is the land of feggaguir (plural of foggara), long underground canals leading to the open air in the oasis; they were dug by man and sunk to the places where it was possible to drain a little water. There are 360 kilometres of canals in the oasis of Aoulef alone. But in all other cases, the “chadouf”, with its pendulum, is the typical hydraulic device of the oases. The most astute use a donkey, an ox or a camel to bring up the “dellou” full of water from the bottom of the well. - Chad - 1967

Young Toubou, in Zouï, near Bardaï. Considered as the greatest walkers of the Sahara, the Toubous have an extraordinary endurance. They are almost always on the move. A guerba filled with water and a few dates are enough for them to cross the desert and climb the rocks with agility. - Chad - 1967

Mrs Leclerc with child. The tubu woman is beautiful, the facial features and fine physique suggest a Mediterranean rather than a negroid type. - Bardaï - Tibesti - Chad - 1967

Mrs Leclerc - The tubu woman is beautiful, the facial features and fine physique suggest a Mediterranean rather than a Negroid type. - Bardaï - Tibesti - Chad - 1967

The young Tubu woman Cherie. - Bardaï - Tibesti - Chad - 1967

When it is festival time in Bardaï, the women adorn themselves with their most beautiful finery and become brightly coloured dolls. The silver, sometimes gold, jewellery flares in the sun. The Toubou woman is beautiful, the facial features and fine physique suggest a Mediterranean rather than a Negroid type. - Bardaï - Tibesti - Chad - 1967

In Bardaï, the wife of a blacksmith takes part in the festival with her most beautiful ornaments and dances late into the night. - Bardaï - Tibesti - Chad - 1967

The Tubu blacksmith of Bardaï, in the heart of the Tibesti, has an extremely important function, as he is also a musician and, as such, leads the dances during the festivals. The very slim type of this man is remarkable, as he could be seen on a buccaneer's boat in the Red Sea. The anthropology of the human groups currently living in the desert strip of North Africa confirms what human palaeontology already revealed in the Neolithic period; we always find three types: Mediterranean, black and mixed race. The passage of the first type undoubtedly took place at the level of the Red Sea and the Isthmus of Suez, but this delicate problem is far from being completely clarified. - Bardaï - Tibesti - Chad - 1967

The festival at the forges of Bardaï is in full swing. To the sound of the drum, the women dance slowly in circles, and their arms are like snakes lambent against the sky. - Bardaï - Tibesti - Chad - 1967

The wedding feast at the forges of Bardaï is in full swing. To the sound of the drum, the women dance slowly in circles, and their arms are like snakes lambent against the sky. - Bardaï - Tibesti - Chad - 1967

Foot bracelets. These silver jewels are the work of blacksmiths. Both feared and despised by the nomads and the sedentary people living in the desert, the blacksmith or malem belongs to a special caste. He masters fire and material, fashioning jewellery as well as weapons or the metal parts that make up the harness of camels. - Bardaï - Tibesti - Chad - 1967

When it is festival time in Bardaï, the women adorn themselves with their most beautiful finery and become brightly coloured dolls. The silver, sometimes gold, jewellery flares in the sun. The Toubou woman is beautiful, the facial features and fine physique suggest a Mediterranean rather than a Negroid type. - Bardaï - Tibesti - Chad - 1967

These blacksmiths' wives in Bardaï give a timeless image of the Sahara.... The fabrics they wear come mostly from the Fezzan and are brought by the trucks that supply the oases in the Tibesti. - Bardaï - Tibesti - Chad - 1967

Galli, a young Toubou woman from Bardaï, is the soul of the parties that are improvised in the shade of the palm trees. She goes from house to house and gathers her friends to dance. The fabrics she wears come from the Fezzan with the camions that supply most of the Tibesti oases. - Bardaï - Tibesti - Chad - 1967

On the night of Tibesti, a wedding is celebrated. The women dance in a circle; the blacksmith sings the love songs that the young girls take up; intoxicated with joy, he beats his drum. The men look on in admiration and try to establish future kinships. - Bardaï - Tibesti - Chad - 1967

The Enneri Alli between Soborum and Bardaï. "Enneri" means "river". Like a wadi, it is characterised by the fact that it is almost always dry. - Tibesti- Chad - 1967

A small caravan in the Enneri Bessama between Bardaï and Soborum. "Enneri" means something like "river". Like a wadi, it is characterised by the fact that it is almost always dry. - Tibesti - Chad - 1967

View of the Enneri Bessama (Tibesti). Note the small figure: it serves as a scale for the landscape. "Enneri" means something like "river". Like a wadi, it is characterised by the fact that it is almost always dry. The road that connects Bardaï with Soboroum runs through the bed of the Enneri Bessama. The volcanic tuff seems to have been cut with a gigantic sword stroke; soft, very fine sand, which makes walking difficult, fills the bottom of the Enneri. - Tibesti - Chad - 1967

View of the Enneri Bessama (Tibesti). Note the two men: they serve as a scale for the landscape. "Enneri" means something like "river". Like a wadi, it is characterised by the fact that it is almost always dry. The road that connects Bardaï with Soboroum runs through the bed of the Enneri Bessama. The volcanic tuff seems to have been cut with a gigantic sword stroke; soft, very fine sand, which makes walking difficult, fills the bottom of the Enneri. - Tibesti - Chad - 1967

One of Marshal Leclerc's Tubu guides, inspector of troops in North Africa, who distinguished himself in Chad and Libya during the Second World War. - Tibesti - Chad - 1967

Nomadic Tubu herders on their way to Bardaï. While the men go on foot, pushing their donkeys and goats in front of them, the camels, heavily loaded, close the march. In the distance, the spiky triangle of the Botoum peak (2416 m altitude) rises up. - Tibesti - Chad - 1967

Caravan of Tubu nomads on the track leading to Bardaï. The men walk, the camels trotting behind the donkeys and the goats, carrying heavy loads. In the background, the rugged triangle of Pic Botoum. - Tibesti - Chad - 1967

Tubu woman. The Tubu are pastoral nomads who mainly keep goats and sheep, and they also breed camels. Donkeys are also kept as work and pack animals. In contrast to the Tuareg, who are neighbours in the west, the Tubu have an egalitarian form of society; the position of women is stronger than in most other Islamic ethnic groups. - Tibesti - Chad - 1967

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