Main square of Cajamarca - Peru

Panpipes - Lucho is an Aymara Indian from the Peruvian Altiplano who plays the zampoña, a pan flute made of a double row of reed pipes. Easy to carry and essential to traditional Andean music, the zampoña has always accompanied the shepherds in the silence of their solitude. - 1969

Indian girl from San Cristobal de Totonicapan - Guatemala

Head of an indigenous community (Alcade) of Ollataytambo in the department of Cuzco. - 1969

The legends are only available in German, French or Spanish
Des indigènes de la Sierra centrale se rendent d'une vallée à une autre en conduisant leur troupeau de vaches. - Quebrada Querococha - Cordillera Blanca. - 1969

Indigenous people flock from all corners of the Andes Cordillera to take part in the Inti Raymi, the great festival in honour of the sun, in Cuzco on 24 June. This girl wears a moss dress and a kind of crown made of agave leaves and shells on her head. - 1969

The legends are only available in German, French or Spanish
Pendant l'Inti Raymi les Indiens, déguisés et masqués, organisent de véritables concours de musique et de danse. - 1969

The legends are only available in German, French or Spanish
Durant l'Inti Raymi on peut voir un Indien déguisé en empereur inca entouré de ses aides. La fête n'échappe pas à un certain romantisme qui n'est pas toujours de très bon goût. - 1969

The legends are only available in German, French or Spanish
Femmes de Cajamarca en train de laver leur linge dans la rivière des Baños del Inca. - 1969

The legends are only available in German, French or Spanish
Le musée de la vice-royauté du Cuzco renferme de très belles collections d'art colonial. Sa porte d'entrée est surmontée d'un linteau où l'on aperçoit les portraits des quatre frères Pizarro.

The legends are only available in German, French or Spanish
Les fêtes occupent une place importante dans la vie spirituelle des habitants de la Sierra. Les indigènes aiment à se rendre en dansant d'une communauté à une autre. - 1969

Dressing up and wearing homemade woollen masks is always fun for the Indians. - Whitsun festival in Ollantaytambo, Cuzco department - 1969

The legends are only available in German, French or Spanish
Chaque village de la Sierra, à l'exemple de la plus petite localité de la péninsule ibérique, a son patron ou sa patronne dont la fête est le prétexte de réjouissances qui durent plusieurs jours et auxquelles participent tous les membres de la communauté. - Procession de Pentecôte à Ollantaytambo, département de Cuzco. - 1969

The legends are only available in German, French or Spanish
Des indigènes de la Sierra se rendent à cheval à rune des fêtes de leur communauté. - 1969

The legends are only available in German, French or Spanish
Les femmes indiennes du département du Cuzco portent des chapeaux plats. On les distingue très facilement des métis qui, elles, sont coiffées d'un couvre-chef de couleur blanche, orné d'un ruban. Marché de Chincheros (département du Cuzco). - 1969

The legends are only available in German, French or Spanish
Le camion demeure souvent le seul moyen de transport des habitants de la montagne. On y entasse passagers et marchandises dans un équilibre instable qui ne va pas sans offrir de sérieux dangers. - 1969

The legends are only available in German, French or Spanish
Sur les marchés de la Cordillère on peut acheter, pour quelques centavos seulement, un grand verre de chicha (bière) de maïs préparée par la marchande. - 1969

The legends are only available in German, French or Spanish
Les potiers indiens n'ont jamais connu l'usage du tour. Ils sont cependant capables de confectionner de très beaux objets utilitaires ou décoratifs que l'on peut acquérir sur l'un ou l'autre des marchés de la Cordillère. . - Quinua près de Ayacucho. - 1969

The legends are only available in German, French or Spanish
La gravure au feu des courges séchées est l'une des formes les plus attachantes de l'artisanat péruvien. L'artiste emploie un tison qu'il appuie plus ou moins fort à la surface du fruit, ce qui lui permet d'obtenir des teintes allant du beige clair au noir le plus sombre. - Huancayo, Andes centrales - 1969

The legends are only available in German, French or Spanish
Le cheval constitue souvent le seul moyen de transport des populations de la Sierra. - Femme indienne près d'Andahuaylas. - 1969

The legends are only available in German, French or Spanish
La demeure des Indiens de la Cordillère des Andes est faite de briques en boue séchée, appelées adobes, recouvertes ou non de chaux. Elle est surmontée d'un toit de chaume. La maison se compose d'une seule pièce qui sert à la fois de cuisine, de chambre à coucher et de grenier où l'on garde les récoltes. - Près de la pierre de Sayhuite entre Abancay et Cuzco - 1969

The legends are only available in German, French or Spanish
Au centre du lac Titicaca se trouvent des îles flottantes artificielles sur lesquelles vivent des indigènes appelés Urus. Ce sont des métis qui parlent l'aymara et qui se consacrent surtout à la pêche. - 1969

The legends are only available in German, French or Spanish
Depuis l'arrivée des Occidentaux sur sol américain, les Indiens ont appris à élever les chèvres et les moutons qu'ils font paître sur les grands pâturages de l'altiplano. - Près du lac Titicaca entre Taraco et Huancané. - 1969

The legends are only available in German, French or Spanish
Les Indiens qui vivent sur les rives du lac Titicaca utilisent un bateau en jonc, la balsa, qu'ils confectionnent eux-mêmes et qui leur permet de circuler aisément sur les eaux. - 1969

The legends are only available in German, French or Spanish
La Sierra péruvienne est peuplée essentiellement d'indiens qui vivent en communauté et qui s'adonnent à l'agriculture. En certains endroits la fertilité de la terre est remarquable. - Récolte de céréales, Tiobamba, Cuzco, au fond du Nevado Chicón, 5530m - 1969

The legends are only available in German, French or Spanish
Le marché aux bestiaux de Huancané, près du lac Titicaca, attire chaque dimanche des milliers de paysans de la montagne venus des quatre points cardinaux. - 1969

The legends are only available in German, French or Spanish
L'emploi de machines est impossible dans la Cordillère des Andes, déjà à cause des difficultés du terrain. Tous les travaux agricoles se font à la main et sous le signe de la communauté. Récolte de pommes de terre à 4500 mètres d'altitude. - 1969

The legends are only available in German, French or Spanish
La chaquitaclla ou bèche incaique est encore en usage de nos jours parmi les populations de l'altiplano. - Hacienda San Juan de Chuquibambilla, Puno. - 1969

When the head of a community in Cuzco goes somewhere, he is accompanied by the ‘pututeros’, young people who are given the task of blowing into large sea shells. - 1969

The Cuzco Indians wear clothes made of llama wool, which are famous for the richness and beauty of their colours. The patterns vary greatly from region to region of the department. - Indians from the province of Paruro, Cuzco. - 1969

With the arrival of the Spaniards, various musical instruments previously unknown on this continent were also introduced, including the harp, which the Indians have now learnt to build themselves and play in their own unique way. - Indians from the province of Paruro, Cuzco. - 1969

An Aymara Indian plays the zampoña or panpipe, which is made up of a certain number of reed pieces of different lengths. - Hacienda San Juan de Chuquibambilla, Puno - 1969

The quena is still the favourite instrument of the shepherds on the Altiplano. - Hacienda San Juan de Chuquibambilla, Puno - 1969

The legends are only available in German, French or Spanish
Les indigènes ont adopté les instruments de musique apportés par les Espagnols tels que la harpe et le violon. - Festival de folklore Inti Raymi à Cuzco - Indiens de la province de Paruro - 1969

The legends are only available in German, French or Spanish
Il n'est pas rare de voir des Indiens de la Cordillère travailler dans l'une ou l'autre des entreprises industrielles du pays. Les indigènes manifestent beaucoup d'intérêt pour tout ce qui a trait à la mécanique. - Nouveau port de Pisco - 1969

A Cordillera Indian works in a petrol station in the capital. - 1969

Wearing a woollen chullo under his typical cuzqueño hat and dressed in a wonderful poncho, this young Indian from the sacred valley holds the vara de mando, a silver-plated staff as a sign of his official dignity. He is the alcalde of an ayllu, an agrarian community handed down from the Inca era, in which the Quechuas still live today as they did in times gone by.

The legends are only available in German, French or Spanish
Dans les étroites ruelles de la «Rome» inca, entre les résidences monolithiques décapitées qui supportent un étage «à l'espagnole», cheminent les Indiennes cuzquenas, aux costumes typiques.

The legends are only available in German, French or Spanish
La mélodie pleurnicharde des quenas (flûtes de bambou des Andes) s'est métissée, depuis la Conquête hispanique, de harpes rustiques et d'instruments à corde dont les Indiens en poncho tirent une musiquette lancinante. La veille du festival solaire Inti Raymi sur la place principale de Cuzco.

The legends are only available in German, French or Spanish
A 3.700 mètres d'altitude s'étagent les quatre terrasses de Tampu Machay, «Balneario del Inca». Des loges en trapèze ornent le plus élégant «temple de l'Eau» consacré aux ablutions lustrales du dynaste et de la Coya son épouse lors de leur union rituelle.

The legends are only available in German, French or Spanish
0llantaytambo est l'un des rares et derniers bourgs authentiquement inca où les Quechuas vivent encore dans les palais ancestraux. Tel cet Indien qui coud sur le seuil d'une double portada en trapèze à l'inca.

This India from San Juan de Chuquibambilla smiles from under her montera, the headdress with the pleated scarf. She only wears her beautiful traditional dress, whose embroidery she is proud of, on very special highland festivals.

The legends are only available in German, French or Spanish
Reliés par des andenes en demi-lune, profonds de 150 mètres, les quatre «cirques» aux sept terrasses de Moray étagées en entonnoir évoquent des colisées. Toutefois, les aqueducs qui les irriguent suggèrent qu'il s'agit plutôt de gradins dédiés à la culture des pommes de terre à déshydrater (moraya) ou de «jardins d'acclimatation» de fleurs magiques.

The legends are only available in German, French or Spanish
Sur l'altiplano de Puno, les hommes labourent encore avec la takila, bêche inca en bois dur que l'on enfonce d'un coup de pied, tandis que la femme, qui porte le dernier-né sur son dos, retourne les mottes de terre.

The legends are only available in German, French or Spanish
Très animée, la feria dominicale de Chinchero attire des centaines d'aborigènes aux costumes couleurs d'arc-en-ciel!

The legends are only available in German, French or Spanish
Les temps changent! les fillettes indiennes d'Acomayo transportent l'eau non plus dans une poterie, mais dans une vulgaire cruche émaillée.

The serious face of this girl from Combapata, Cuzco, is tanned by the harsh mountain climate. She wears a cap with a forward-facing peak and a wide, patterned, hand-woven belt around her waist.

The legends are only available in German, French or Spanish
Nattes brunes sous sombrero de paille blanche ou de feutre brun, le dos plus chargé que celui de l'âne, ces Indiennes de Huaripampa, dans le département d'Ancash, grimpent courageusement vers quelque lointain marché.

The legends are only available in German, French or Spanish
En ce jour de fête champêtre sur le haut plateau de Puno, des Ilameros exécutent la très ancienne «danse du Lama», le solennel et dédaigneux camélidé exclusif des Andes, devant la toute simple église de San Juan de Chuquibambilla.

The legends are only available in German, French or Spanish
Chaque année, à partir du 21 juin, qui marque, dans la sierra, le solstice d'hiver, les fêtes solennelles de I'Inti Raymi, «Pâques du Soleil» des Incas, sont reconstituées au Cuzco. Le soir venu, Indiens et Indiennes, en tenue de gala, se livrent entre eux aux danses populaires qui sont plus un rite qu'une distraction.

In front of the wall of the famous ceremonial centre of Chavín de Huantar in the middle of the Cordillera Blanca, where a high Peruvian culture emerged 2000 years before the Incas, this Indian plays a sad tune on his quena ... of love and eternity.

This woman from Combapata with her peculiar flat hat, her sharply cut face framed by an embroidered scarf, embodies all the dignity of the ancient pre-Columbian peoples.

In the vast and infinite silence of the Altiplano, the Aymara have been playing their zampoña since time immemorial ... whose wistful and strange sounds are carried away by the mountain winds.

The legends are only available in German, French or Spanish
C'est par une musique aussi tonitruante que discordante que la banda, l'orchestre en ponchos bariolés, inaugure aux quatre vents le nouveau terrain de football!

The legends are only available in German, French or Spanish
La fort étrange «consultation» d'un moderne «prêtre des esprits», a lieu à 4 heures du matin, par un froid de 17°C sous zéro, sur le haut plateau péruvien. Des feuilles vertes de coca, fèves et graines, fleurs séchées, papiers de couleur... disposés sur un autel improvisé, sont offerts à la Pachamama, déesse de la Terre-Mère et de la fécondité avant d'être brûlés au-dehors.

The legends are only available in German, French or Spanish
Depuis trois mille ans ou davantage encore, 1'Indien de la Vallée sacrée des Incas et de toutes les Andes, pour appeler hommes et dieux, souffle dans le pututo, grosse conque marine du Pacifique, le Spondylus au son rauque.

People from the province of Paruro participate in a folk festival in Cuzco - Young boy with a hat made of dried agave leaves. - 1969

Pentecost Festival in Ollantaytambo, Cuzco - Young Indian woman in typical costume. - 1969

You do not need a bus to go to the market. This truck in Calca in the Urubamba Valley will be filled with Indians to the last place, including their merchandise, of course. - 1969

An Indian in typical dress drinking her chicha - Cambapata market - Cuzco - 1969

Folklore festival in Cuzco - a musician from Taquile Island on Lake Titicaca playing the Zampoña. - 1969

Inti Raymi (Festival of the Sun) - competition for folk groups in the stadium of Cuzco. - 1976

The Corpus Cristi festival, brought by the Spanish, acquires a special splendor every year in Cuzco. During the ceremony, the statues of twelve saints are shouldered around the Plaza de Armas. – 1969

Entrance to the Church of l’Asunción in the village of Juli on the southwest bank of Lake Titicaca, which was a religious center during the colonial period. - 1969

The church of Andahuaylillas, a town of about 3,900 inhabitants near Cuzco. It contains many colonial treasures, which is why it is often called in Peru the "Sistine Chapel of the Andes" in an effort to compete with the Old Continent. - 1969

Stop at the Chilca railway station near Huancayo in the department of Junín. - 1969

Wheat fields near Andahuaylas in the Apurímac department. - 1969

A weaver with her spindle makes yarn from sheep's wool. Mancos in the Callejón de Huaylas, Department of Ancash. - 1969

A weaver with her spindle makes yarn from sheep's wool. Cajamarca Region in North Peru. - 1969

Cajamarca women wash their clothes in a small river near Baños del lnca. - 1969

An old woman from Yungay talks about the Terremoto earthquake of 31 May 1970, which had a magnitude of 7.8 and killed about 70,000 people. - 1976

An lndia cuzqueña from the Ollantaytambo region in her typical dresses. - 1976

Young girl from Abra Pampa (province of Jujuy). In this place, the Andean Indian type dominates. - 1973

A Maya Quiché woman in traditional costume kneels on the steps of the church dedicated to Santo Tomás in Chichicastenango, Guatemala. This temple is a revered place for indigenous people who meet there, mainly on Thursdays and Sundays, market days, to pay emotional homage to their gods. The clergy has long accepted this use of the church for a purpose that has nothing in common with the Catholic ritual. The prayers in the Indian language follow one another. During the ceremony, the natives burn copal, light candles and spread flower petals. The rite is led by a chiman or indigenous priest who has turned his village church into a veritable sanctuary of the Mayan religion. The nave is divided into three sectors. In the first, located near the communion table, the chiman invokes the great figures of his country. In the central part, he addresses the God of the World. The third sector, near the main door, is less specific than the first two. Here the Indian priest can pray to any deity. - 1977

Young Cuna Indian girl from the San Blas archipelago wearing a small gold ring on her nose. These indigenous people form an ethnic group of about twenty-five thousand people. They are a very homogeneous group whose representatives are extremely proud of their culture, whether it be language, customs or beliefs. This does not prevent the Cuna, who are highly intelligent, from being attentive to everything that is happening in the world. Many of them work outside as teachers, doctors, lawyers or artists. Each Cuna community is headed by a chief, who reports to one of the three main caciques of the region. The responsibilities of the latter extend to all the representatives of the ethnic group. A daily meeting of the members of the community allows everyone to speak and express their opinions and judgements on the most diverse problems that the natives have to face. A more democratic system of government could not be imagined!

Young Cuna Indian woman from the San Blas archipelago. She wears a small gold ring on her nose. These indigenous people form a nation of about 25 000 people. They are a very unified group whose members are exceptionally proud of their culture, language, customs and beliefs. Each Cuna community has a leader, who in turn is under the command of one of the three main caciques of the region. The responsibility of the caciques encompasses the entire ethnic community. The daily meeting of the members of the community allows everyone to speak, present their views and express their opinions on the various issues facing the indigenous people. A more democratic system of government could not be imagined! - 1977

An Indian woman in the town of Antigua in Guatemala. - 1972

An Indian woman from La Antigua sits at her loom. The fabrics thus produced vary considerably in colours and patterns from region to region and even from village to village. This peculiarity, which is found in all the Indian republics of the continent, stems from the fact that clothing is a characteristic of origin for the indigenous people. It distinguishes them from the others and expresses their attachment to their place of origin. - 1977

Doña Concepción Pacach Tzina wears the traditional dress of her people and lives in the village of Santiago de Atitlán in Guatemala. The typical costume is an example of the culture of every town in Guatemala. One of the most striking accessories is the famous tocoyal of Santiago Atitlán. The tocoyal is a ribbon that is wrapped around the head and is between 20 and 25 yards long, which is roughly equivalent to between 16 and 21 metres. To use it, it is wrapped around the head 20 times, simulating a hat. The 20 loops refer to the Mayan calendar and also signify the continuity of life, the feathered serpent and the Tzu'tujil culture. One of the most famous personalities to wear this garment was Doña Concepción Ramírez Chonita from Santiago Atitlán, who won the competition to be depicted on the 25 cent coin of the national currency in 1936. - 1977

The typical costume is a sample of the culture of each village in Guatemala. One of the accessories that stands out the most is the famous Tocoyal of Santiago Atitlán. The Tocoyal is a ribbon that is wrapped around the head and measures between 20 and 25 rods long, or approximately 16 and 21 metres. The way it is used is by wrapping it 20 times around the head, simulating a hat. The 20 turns are related to the Mayan calendar and also signify the continuity of life, the feathered serpent and the Tzu'tujil culture. One of the best known personalities who wore this garment was Doña Concepción Ramírez Chonita, from Santiago Atitlán, who in 1936 won the competition to appear on the national 25-cent coin. - 1977

The young Mayan woman Rosa-María embroiders flowers on a blouse (huipil). These embroideries are typical for the Santiago Atitlán area. - 1977

Friday market in San Francisco El Alto in the department of Totonicapán, Guatemala. From the 16th century onwards, the Spanish introduced domestic animals unknown to the natives into the Americas, but which they began to breed for their own use. Cows, sheep, goats and pigs became common. Pigs rose to prominence during the colonial period and became a desirable source of income in many areas. In the lower regions, pigs are fed on bananas or cassava (palm lilies). They roam freely in the streets of towns and supplement their diet with whatever is available to them. However, in the mountainous areas of Guatemala, these animals are raised for the production of lard, which is sold to mestizos and whites. - 1977

A Mayan woman at the Friday market in San Francisco El Alto in the department of Totonicapán, Guatemala. Following the example of their ancestors from pre-Columbian times, Mayan women today still carry everything on their heads, the laundry they washed at the river, the fruits, utensils, edibles and small pets they want to sell at the market. To do so, they use magnificent baskets made by the artisans of their community. - 1977

At a market near Quezaltenango, this indigenous woman weighs her goods with a simple hand scale. - 1972

Harvest in the grain fields near Quezaltenango. This boy carries a sheaf of wheat. - 1977

Mother and child photographed on the road from Quezaltenango to the capital of Guatemala. Like their more distant pre-Columbian ancestors, today's Mayan women carry everything on their heads: the clothes they have washed at the river, the products of the land and crafts, the provisions for the road or even the small domestic animals they go to sell at the nearest market. For this purpose, they use beautiful baskets made by artists from their community. The youngest child in the family accompanies his mother on all her journeys. Thus, from a very young age, the Indian child comes into contact with all the realities of the daily life of the woman to whom he owes his birth. - 1977

At the market in Chichicastenango. Fruits and vegetables are still weighed with simple hand scales. - 1977

Indian girls at the market of Chichicastenango. The indigenous people of this country, who make up almost half of the total population, live mainly in the mountainous regions. They are divided into six main ethnic groups, each of which includes a number of subgroups. Most of these Indians are descendants of the pre-Columbian Maya, from whom they have inherited numerous traditions, whether in daily work, social form, beliefs or crafts. - 1977

Potters' corner at the Sunday market in Chichicastenango, Guatemala. This fair allows the inhabitants to buy or sell the products of the soil and handicrafts. The Indian woman looks longingly at the objects she has decided to buy. - 1977

Chichicastenango was an important religious and political centre of the Quiché Indians. The Spanish conquistadors destroyed the old Maya temple and built the church of Santo Tomás on its base (picture). To this day, however, the church is also used by Mayan shamans and healers (curanderos) who light incense and candles on the floor, blow liquor over it and make offerings of flowers. The 18 steps of the staircase, which may still be from the old Mayan temple, correspond to the months of the Mayan calendar. - 1977

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of the holy apostle Thomas. However, since the Quiché calendar is based on astronomical events related to the sun, the festival may have originally belonged to the worship of a Mayan deity. The traditional indigenous festivals have survived the influences of the Catholic religion. But many elements have been adopted from Catholicism. For example, every village on the high plains has its own patron saint or patron saints, whose feast day is celebrated with pomp. The whole population takes part in the procession. - 1977

On the steps in front of the Santo Tomás church in Chichicastenango. - 1977

A family kneels in front of the steps of the Santo Tomás church in Chichicastenango.

A Mayan Quiché woman on the steps of the Church of the Calvary. She burns pieces of copal and prays to her gods. - 1977

The votive offerings are placed on the steps of the Church of the Calvary. They burn pieces of copal and pray to their gods. - 1977

A Mayan Quiché woman on the steps of the Church of the Calvary. She burns pieces of copal and prays to her gods. - 1972

A Mayan Quiché woman on the steps of the Church of the Calvary. She prays to her gods. - 1977

SantoTomás is the patron saint of the famous Indian village of Chichicastenango in Guatemala. The traditional indigenous festivals have survived the influences of the Catholic religion. But many elements have been taken over from Catholicism. For example, every village on the high plains has its own patron saint or patron saints, whose feast day is celebrated with pomp and ceremony. The whole population takes part in the procession. - 1977

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of St. Thomas the Apostle. The masked dancers are considered to be imitating the Spanish invader of times past. - 1977

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of Saint Thomas the Apostle. Throughout pre-Columbian times, the Indians knew only two types of musical instruments, drums and wind instruments (flutes, trumpets, whistles and ocarinas) made of cane stalks, bamboo or clay. - 1977

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of Saint Thomas the Apostle. Throughout the pre-Columbian period, the Indians knew only two types of musical instruments, drums and wind instruments (flutes, trumpets, whistles and ocarinas) made of cane stalks, bamboo or clay. Instruments made of copper such as trumpets, trombones, saxophones and horns were soon adopted by the natives from the Spanish conquerors. The use of the foreign musical instruments and the adoption of a foreign type of music brought noticeable changes to the folklore of the indigenous people. - 1977

Another view of the 5,790-metre-high Cayambe volcano from the surrounding agricultural highlands of Pichincha Province, where the indigenous people (the Kayambi) have traditionally practised agriculture and livestock farming. – Ecuador – 1972

These cone-shaped huts are made entirely of páramo straw (ichu grass). They are a direct legacy of the Puruhá culture. They are actively maintained in communities around Cajabamba in the canton of Colta (Chimborazo province). The people wear traditional dress, which includes felt hats with short brims and thick woollen ponchos. These provide protection against the extreme cold of the Ecuadorian Andes. – Ecuador – 1977

An indigenous Kichwa woman from the Salasaka community in the province of Tungurahua, Ecuador. The distinctive light-coloured hat (muchiku) with a round brim is traditionally made from sheep’s wool. The elaborate, multi-strand necklaces (walkas) are traditionally made from fine beads and coral. They symbolise ethnic identity, cultural heritage, and the prestige and strength of indigenous women in the Andes. The woman is wearing a dark shawl (Chal or Fachalina), which is typically fastened at the front with a large, decorative silver pin or brooch (Tupu). – 1977

A girl from the Salasaka community (Tungurahua Province, Ecuador). The white hat is traditionally made from pressed sheep’s wool. It is a key symbol of identity during festivals. The hand-woven woollen shawl (Lishta) is often patterned with fine stripes. It is crossed over the chest and fastened with a silver brooch (tupu). Wearing walkas (multi-strand necklaces made of red coral or beads) is a typical form of jewellery for women and girls. – 1977

A young girl from the indigenous Kichwa community in the Otavalo region of the Ecuadorian highlands, dressed in traditional attire consisting of a blue poncho, a headdress and multiple layers of gold bead necklaces. – 1977

One of the most famous indigenous markets in the Andes takes place every Saturday in Otavalo (Imbabura Province, Ecuador). The Otavaleños enjoy an excellent reputation as trading partners and merchants; they can be found everywhere on the roads of the Andes, carrying their wares on their backs. Their market has become a major tourist attraction, featuring cockfights in the afternoon and bullfights in June. Alongside their own products, they sell the Salasacas’ cloths and rugs here. - Book: Picture 27 - Ecuador - 1977

A scene from the Sunday market in Riobamba, Chimborazo Province, Ecuador. - Book: Picture 30 - Ecuador - 1977

A Salasaca man in traditional dress – a black poncho, white trousers and a white shirt – at the loom. The barren soil of the central Ecuadorian province of Tungurahua, around the town of Ambato, has forced the Salasacas, a tribe of around two thousand indigenous people, to pursue a second source of income alongside farming. Their rugs, featuring bird and animal motifs, are famous far and wide. The Otavaleños usually handle the distribution of the textiles. - Book: Picture 26 - Ecuador - 1977

Sunday market in Cajabamba, west of Riobamba. Two hundred varieties of potato, ranging from small white tubers to huge red sweet potatoes, a dozen varieties of maize, quinoa (‘Peruvian rice’), pulses, as well as animal feed and, occasionally, modern fertilisers and colourings are on offer at these markets. - Book: Picture 31 - Ecuador - 1976

A Salasaca indigenous man weaving a wide belt, known as a ‘faja’. Traditional patterns include birds, deer, cats and other stylised animals. - Book: Picture 139 - Ecuador - 1976

A scene from the Sunday market in Riobamba, Chimborazo Province, Ecuador. - Book: Picture 29 - Ecuador - 1977

An indigenous woman from Riobamba in her traditional dress, carrying her child on her back in a sling. The brown felt hat is typical of the indigenous population (mostly Kichwa) of Chimborazo Province around Riobamba; it is a distinctive symbol of indigenous identity and belonging in this region. The child is carried safely on her back in a traditionally woven sling. The poncho provides reliable protection against the cold in the cool high altitudes of the Andes. – 1977

A Salasaca girl from the town of Ambato, Tungurahua province - Ecuador - 1976

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the flower offerings: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the flower offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create arrangements in the shape of branches. - Book: Picture 39 - Ecuador - 1976

Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas Midnight Mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers into specific circular shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 36 - Ecuador - 1976

The Saraguro in the province of Loja, Ecuador. A particularly beautiful custom of the Saraguros is the offering of flowers: every year, during the Christmas midnight mass, the ‘muñidoras’ are chosen. These women are then responsible for the floral offerings throughout the year. Using garden flowers, they create small arrangements in which tiny figurines, crosses and stars are hidden, and place these in the various churches every Sunday morning. Unmarried women arrange the flowers in specific round shapes; only elderly women or widows are permitted to create branch-shaped arrangements. - Book: Picture 38 - Ecuador - 1976

An indigenous woman from the Saraguro culture in the province of Loja, Ecuador, recognisable by her traditional clothing and distinctive white felt hat. The woman is wearing striking silver earrings and traditional beaded necklaces. A silver brooch (‘Topo’, a traditional garment pin) holds her dark cloak in place over a red blouse. – Ecuador – 1977

The Saraguro in the province of Loja, Ecuador. The topos – the pins used by Saraguro women to fasten their ponchos – are unique to this tribe in that they feature a sun-shaped head. In Peru, they are spoon-shaped. - Book: Picture 37 - Ecuador - 1977

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: smallholders queuing outside the agricultural co-operative to collect their milk money. - Book: Picture 87 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: Cajamarca’s traditional hats are made from toquilla straw (plant fibre). - Book: Picture 85 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ is on display – the room that Atahualpa had filled with gold. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: a market vendor spins her wool as she walks. - Book: Picture 84 - Peru - 1976

In Cajamarca, situated at an altitude of 2,960 metres, Francisco Pizarro lured the Inca Atahualpa into an ambush and took him prisoner. To this day, the ‘Camara de rescate’ – the room that Atahualpa had filled with gold – is on display. However, the ransom did not save him from a violent death. Cajamarca has largely retained its colonial character to this day, and with its 30,000 inhabitants, it is a bustling market town: a market vendor carries her new hat home on top of her old one. - Book: Picture 86 - Peru - 1976

A weaver with her spindle makes yarn from sheep's wool. Mancos in the Callejón de Huaylas, Department of Ancash. - 1969

A weaver with her spindle makes yarn from sheep's wool. Cajamarca Region in North Peru. - 1969

Potato harvest near the village of Jerónimo in the department of Apurímac, Peru. The tradition of communal farming dates back to pre-Inca times, creating a solid foundation for agricultural collectives and cooperatives. - Book: Picture 177 - Peru - 1969

Although the scene in the photograph is visually very reminiscent of the Mongolian steppe, the terraced slopes used for farming in the background, as well as the rider’s clothing (a typical Andean hat and poncho), clearly point to the highland Pampas regions of the Peruvian Andes. The photograph was taken 20 km from Andahuaylas. – Peru – 1969

A shepherdess with llamas and alpacas on the Altiplano, on the road from Abancay to Puquio. - Book: Picture 96 - Peru - 1976

This young indigenous woman is taking part in the traditional Inca ceremony Inti Raymi (the Festival of the Sun), which is celebrated annually on 24 June. Her clothing and headdress have symbolic significance. She is wearing an ornate crown made from dried agave leaves (maguey) and decorated with small sea snails. Her body is wrapped in a long robe made of natural moss. Beneath it, a traditionally colourful, patterned woven fabric can be seen. – 1969

Whilst the main ceremony of Inti Raymi (the Inca Festival of the Sun) traditionally takes place on the esplanade of the Sacsayhuamán fortress, the dances and musical accompaniment are often moved to Cusco Stadium to accommodate the crowds, as seen in this photograph, taken on 24 June 1976. The musicians play the traditional Peruvian Andean harp (Arpa andina) and violins to accompany the traditional dances (Danzas) from the various provinces, which are performed in honour of the sun. – Cusco – Peru – 1976

A 3.700 m de altitud se alzan las cuatro terrazas de Tampu Machay, el «baño del Inca». Unos nichos trapezoidales adornan el «templo del agua» más elegante, que servía para la purificación ritual del monarca y su esposa, la Coya, con motivo de su unión ritual. – Cuzco – Perú – 1969

Checacupe is a traditional village in the district of Checacupe (Canchis Province, Cusco Region) in southern Peru. The region is renowned for its historical significance, the preservation of indigenous traditions and Andean craftsmanship. The large earthenware jugs are known as urpus (also called raquis), which are typically used for the fermentation and transport of chicha (traditional maize beer) or water. The jugs are wrapped in thick, hand-woven ropes (Qeswa or Ichu grass ropes) to secure them for transport on the back or on pack animals. The clothing and distinctive hats are typical of the Quechua people of Canchis Province in the Cusco Region. – 1969

Sunday market in Chinchero, Cusco Department. Just as in Inca times, one can still recognise tribal or local affiliations today by the hats or the patterns on the ponchos. For example, the Cuzqueños wear a sort of doctoral cap; the hat from Pisac is gently curved, and those wearing the stiff white hats with coloured ribbons all come from the same area. - Book: Picture 112 - Peru - 1969

Sunday market in Chinchero, Cusco Department. The equivalent of a European sausage stall – an open-air kitchen. - Book: Picture 115 - Peru - 1976

Sunday market in Chinchero, Cusco Department. Chicha seller – maize beer was probably known soon after maize was first cultivated. - Book: Picture 113 - Peru - 1976

Using a traditional hand spindle (known as a ‘pushka’), this woman spins raw wool into yarn. The spindle consists of a wooden rod and a whorl, which acts as a flywheel to stabilise the rotation as the fibres are drawn out. This centuries-old technique is still practised today in the Peruvian Andes to produce fine yarns for handmade textiles. – Cusco – Peru – 1972

Fruit sellers at Cusco railway station. - Book: Picture 114 - Peru - 1973

The procession in honour of the ‘Señor de Choquekillka’, the principal patron saint of the Inca city of Ollantaytambo in the Sacred Valley of the Incas. This major local event is celebrated every year around the Christian feast of Pentecost in May or June. It combines Catholic traditions with ancient Andean customs to form a significant cultural syncretism and has been declared part of Peru’s national cultural heritage. The villagers carry the cross, richly adorned with flowers and white robes, from the main church through the streets of the town. The relic being carried is an ornate cross which, according to local legend, was found in the nearby Vilcanota River at the beginning of the 20th century. – Peru – 1969

The clothing, the hats and the playing of the pututo conch shell are deeply rooted in the vibrant culture of the Cusco region and are still proudly displayed there today at festivals and receptions. The pututo is a traditional wind instrument made from a large sea snail, which has been used in the Andes since Inca times for ceremonies, rituals and long-distance communication. – This photograph dates from 1969 and was taken in Ollantaytambo. The person behind the player is an alcalde (mayor) with his staff, the varayoc, which translates as ‘the lord of the staff’. – Peru – 1969

During the Whitsun festival in Ollantaytambo, this mask is worn by the dancers of the Ukuku troupe. These mythological figures represent beings that are half-human and half-bear. They act as humorous yet disciplined intermediaries between humans and the mountain gods (Apus). During the colourful processions through the Inca streets of Ollantaytambo, they maintain order, joke with the spectators and accompany the holy cross. – Peru – 1969

Indigenous people in the small church at Ollantaytambo in the Urubamba Valley, above Machu Picchu, in the Department of Cuzco. Under the zealous Spanish missionaries, the indigenous people were very quickly converted to Catholicism; yet, on closer inspection, the old customs and deities can still be found beneath the European veneer in all the rites. For example, St James, the patron saint of the Spaniards, is celebrated with great fervour on 25 July, yet at the same time this day marks the festival of the mountain god Taita Wamani, and Pachamama, the Mother Earth from pre-Inca times, is today identified in many places with the Virgin Mary. - Book: Picture 108 - Peru - 1969

Cereal harvest near Tiobamba in the Cusco region. In the background rises Nevado Chicón, a glaciated peak in the Urubamba Cordillera, some 5,530 metres high. – Peru – 1969

An indigenous man in the Altiplano of Peru plays the zampoña with a dreamy expression; its sounds (perhaps a ‘Yaraví’ or a ‘Triste’?) seem to capture all the melancholy of the vast expanse and solitude. - Book: Picture 6 - Peru - 1976

A campesino from the village of San Antonio de Chuca, Arequipa Department, Peru. The ear-flapped hat, known as a ‘chullo’, protects against the often biting cold of the Altiplano. Occasionally, the indigenous people wear a hat over the chullo to shield themselves from the glaring sun. - Book: Picture 82 - Peru - 1969

A charango player in the department of Cuzco, Peru. Stringed instruments appear to have been unknown to pre-Columbian civilisations. The original charango is a small guitar whose soundbox is made from an armadillo shell. Its rather high-pitched sound is produced by five or six pairs of strings. - Book: Picture 143 - Peru - 1976

This photograph shows a ceremony for Pachamama, which was held at 4 am at -17 °C. The offerings consist of coca leaves, salt, brandy, chicha, cigarettes and food (Puno Department, Peru). - Book: Picture 111 - Peru - 1969

Nothing illustrates the economic and social diversity better than farming methods. Whilst tractors are used in some areas, the indigenous people on their small farms still work the fields in a way that has not changed since the time of the Incas. - This image shows the breaking up of the soil with the taclla, an agricultural tool originating in the Peruvian Andes. It is essentially a long-handled spade that the Incas have used since ancient times. Its shape allows it to be pushed with the foot into hard ground. - Book: Picture 90 - Peru - 1976

Photo taken in the Peruvian Altiplano in winter. An indigenous woman with a child in the Department of Puno. She is collecting dried llama or cow dung to use as fuel. - Book: Picture 93 - Peru - 1976

An indigenous woman cooking with her child on her back. She uses dried llama or cow dung as fuel and stokes the embers with a blowpipe. Puno Department, Peru. - Book: Picture 117 - Peru - 1976

An indigenous couple return with their llamas from the market in Sicuani in the department of Cuzco. - Book: Picture 103 - Peru - 1973

These melon-shaped hats (often called ‘bombín’) are characteristic of the indigenous people of the Altiplano in Peru and Bolivia. The clothing in this region reflects the centuries-old traditions of the indigenous communities. – Puno – 1972

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of the largest and most colorful religious celebrations in Bolivia. The photo shows the characteristic Diablada dancer—the devil, who embodies evil and dances frenetically against the forces of good throughout the hours-long procession, only to be ultimately defeated by Divine Power. - Book: Picture 150 - Bolivia - 1976

The festival is officially known as the ‘Festividad del Señor Jesús del Gran Poder’. It is celebrated in honour of a representation of Jesus Christ and blends Andean beliefs closely with the Catholic faith. Although the Morenada is regarded as the dominant dance of this festival in La Paz, groups performing the Diablada (as pictured here) open and enrich the spectacle with great vigour and magnificent colours. The dancers belong to one of the traditional fraternities that parade through the streets of the capital every year in May or June. – This huge celebration has also been recognised by UNESCO as an Intangible Cultural Heritage of Humanity. – Bolivia – 1976

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. The photo shows the characteristic Diablada dancer—the devil, who embodies evil and dances frantically against the forces of good throughout the hours-long procession, only to be ultimately defeated by Divine Power. - Book: Picture 151 - Bolivia - 1976

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. The female dancers may be inspired by the North American tradition of majorettes. - Book: Picture 152 - Bolivia - 1976

A traditional devil’s mask (Máscara de Diablada), typically worn at the Chilean festival ‘Fiesta de la Tirana’, at the ‘Festividad de la Virgen de la Candelaria’ in Puno, Peru, or at the Bolivian ‘Carnaval de Oruro’. – This dance symbolises the eternal struggle between good and evil. The dancers dress up as devils (Lucifer or demons), who are ultimately defeated by the Archangel Michael and submit to the Virgin Mary. A magnificent, colourful multi-headed dragon is mounted on the mask. In Andean iconography, European conceptions of the devil blend here with indigenous mythical creatures (such as the sacred snake Amaru) and Asian influences. The large, protruding eyes are intended to create a fixed, terrifying gaze. The mask features a wide-open mouth with pointed teeth and a protruding tongue, which emphasises the demon’s malice and ferocity. – La Paz – Bolivia – 1976

A dancer in a traditional, vibrantly coloured red devil’s costume from the Diablada dance troupe. The Diablada dance depicts the struggle between good and evil and forms the centrepiece of the various carnivals in the Andean region around Lake Titicaca. The ornate devil’s mask is adorned with horns, snakes and glittering embellishments. The dancer wears a red costume featuring embroidered aprons, metallic embellishments and distinctive boots. – La Paz – Bolivia – 1976

The Fiesta del Gran Poder, the Festival of Divine Power, in La Paz is arguably one of Bolivia’s largest and most colorful religious celebrations. - Book: Picture 153 - Bolivia - 1976

Three prospectors in the Bolivian Cordillera Real at an altitude of 4,640 metres. Together, these three treasure hunters mine easily accessible deposits of tungsten, tin and gold; they call their method ‘makipura’. - Book: Picture 175 - Bolivia - 1976

An indigenous man from Tarabuco in the Bolivian department of Chuquisaca. His cap is reminiscent of the shape of Spanish helmets from the time of the Conquista. - Book: Picture 144 - Bolivia - 1976

Photo Gallery