Incising: Kokopelli, the flute player, with the sun symbol. This figure is often found among the petro glyphs of the Southwest. Length: 14 inches. Galisteo (New Mexico).

The legends are only available in German, French or Spanish
La mélodie pleurnicharde des quenas (flûtes de bambou des Andes) s'est métissée, depuis la Conquête hispanique, de harpes rustiques et d'instruments à corde dont les Indiens en poncho tirent une musiquette lancinante. La veille du festival solaire Inti Raymi sur la place principale de Cuzco.

In the vast and infinite silence of the Altiplano, the Aymara have been playing their zampoña since time immemorial ... whose wistful and strange sounds are carried away by the mountain winds.

The legends are only available in German, French or Spanish
C'est par une musique aussi tonitruante que discordante que la banda, l'orchestre en ponchos bariolés, inaugure aux quatre vents le nouveau terrain de football!

The legends are only available in German, French or Spanish
Depuis trois mille ans ou davantage encore, 1'Indien de la Vallée sacrée des Incas et de toutes les Andes, pour appeler hommes et dieux, souffle dans le pututo, grosse conque marine du Pacifique, le Spondylus au son rauque.

An Indian in the Peruvian Altiplano plays the zampoña with an enraptured expression, the sounds of which (perhaps a yaraví or triste?) are able to convey all the melancholy of the vastness and loneliness. - Chuquibambilla, Puno - 1976

Charangito player from Kenko in the department of Cuzco, Peru. Stringed instruments seem to have been unknown to the pre-Columbian civilizations. The original charango is a small guitar with a resonance box made from armadillo armour. The rather high-pitched sound is produced on five or six pairs of strings. - 1976

Folklore festival in Cuzco - a musician from Taquile Island on Lake Titicaca playing the Zampoña. - 1969

Inti Raymi (Festival of the Sun) - competition for folk groups in the stadium of Cuzco. - 1976

Musicians - Inca Norteño - weight 3 g each, height 33 mm - silver, copper and gold alloy - 15th century - Brüning Lambayeque Museum - 1976

Ceramics of the culture Santa, Huari period, with two monkeys and a musician playing on the zampoña - on the vessel a stylized cat animal is painted - Height 26 cm - Museo Regional de Huaraz - 1976

The folk music of the north-western provinces of Argentina is of remarkable diversity. Its origins date back to pre-Columbian times, but the influences of Western music are also clearly visible. This folklore has its followers among the foreigners as well as the natives. This Indian beats a small drum and sings, surrounded by colleagues and spectators. It is the eve of the Salta city festival in memory of the hero of the wars of independence, Martin Miguel de Güemes, a famous son of this province. - 1973

Mulatto musicians from Choluteca, Honduras, play music on simple wind instruments. Throughout pre-Columbian times, the Indians knew only two kinds of musical instruments: drums and wind instruments (flutes, trumpets, whistles, ocarinas) made of rushes, bamboo or clay. Stringed instruments such as guitars, harps, violins and mandolins made their appearance at the time of the Spanish conquest of America. Later, brass instruments such as trumpets, trombones, saxophones and horns were introduced and adopted by the natives. The introduction of new instruments went hand in hand with the introduction of a Western-style musical aesthetic. The use of foreign instruments and the adoption of foreign melodies significantly changed the folklore of the region. - 1977

A mulatto from Choluteca, Honduras, plays a simple wind instrument. Throughout pre-Columbian times, the Indians knew only two kinds of musical instruments: drums and wind instruments (flutes, trumpets, whistles, ocarinas) made of rushes, bamboo or clay. Stringed instruments such as guitars, harps, violins and mandolins made their appearance at the time of the Spanish conquest of America. Later, brass instruments such as trumpets, trombones, saxophones and horns were introduced and adopted by the natives. The introduction of new instruments went hand in hand with the introduction of a Western-style musical aesthetic. - 1977

The marimba, a xylophone of African origin encountered in most places, probably arrived in Central America during the slave era. The instrument has undergone noticeable changes over time, both in shape and dimensions. It is voluminous and consists of several dozen tone woods, each of which has a resonance box. Two or three natives stand in front of this keyboard, which they work with small sticks. At folk festivals, they are often accompanied by wind instruments, such as saxophones, trumpets or trombones. The latter originate from Europe and were adopted by the natives. - 1977

In Chichicastenango, the indigenous people celebrate the day of Santo Tomás, patron saint of this beautiful Guatemalan village, on 21 December. The marimba, a xylophone of African origin, found in most places, was probably introduced into Central America during slavery. However, it has undergone significant changes over time, both in terms of its shape and size. It is a bulky instrument with several dozen wooden keys, each with a resonance box. Two or three natives stand in front of this keyboard and strike it with small sticks. In many popular festivals, they are still accompanied by players of wind instruments such as saxophones, trumpets and trombones. These instruments, which came from Europe, were immediately adopted by the locals. - 1977

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of Saint Thomas the Apostle. Throughout pre-Columbian times, the Indians knew only two types of musical instruments, drums and wind instruments (flutes, trumpets, whistles and ocarinas) made of cane stalks, bamboo or clay. - 1977

The main festival in Chichicastenango is celebrated every 21st December during the winter solstice in honour of Saint Thomas the Apostle. Throughout the pre-Columbian period, the Indians knew only two types of musical instruments, drums and wind instruments (flutes, trumpets, whistles and ocarinas) made of cane stalks, bamboo or clay. Instruments made of copper such as trumpets, trombones, saxophones and horns were soon adopted by the natives from the Spanish conquerors. The use of the foreign musical instruments and the adoption of a foreign type of music brought noticeable changes to the folklore of the indigenous people. - 1977

The balafon is widespread in West Africa, especially in Guinea and Mali. It consists of wooden bars and calabashes - hollow gourds that serve as resonators. Two or three finger-thick holes are drilled into the sides of the calabashes, over which spider webs or bat wings are glued. The bars and their resonators are held together by a frame of split bamboo and strips of goatskin. Today's balaphones vary considerably in size, number of bars (between 12 and 23) and tuning. The range is usually two and a half to three and a half octaves. - Mopti - Mali - 1969

A flute player replaces the orchestra and supports the chorus of dancers with his instrument. The beat is given to him by clapping hands. The women, prize of this peaceful competition, show a very seductive demeanour ... - Fountain of Eskiman - Niger - 1970

A traditional folk musician in typical regional costume, playing the historic stringed instrument known as the Ravanahattha. This is an ancient long-necked lute and one of the oldest known precursors of the modern violin. The body usually consists of a halved coconut covered with animal skin, and a long neck made of bamboo. The instrument has main and resonance strings, as well as a bow that is often decorated with small bells. – Jodhpur – 1990

A musician from Khuri plays the kamaicha (also known as the kamayacha), one of the oldest stringed instruments in the world. It is carved from a single piece of mango wood. The soundbox is large and circular, and covered with goatskin. The instrument has 17 strings. Three main strings are made of goatskin, whilst the remaining steel or copper strings serve as resonating strings. It is played with a bow and is known for its deep, resonant sound, often described as the ‘heart and soul’ of Rajasthani folk music. – 1990

A group of musicians from Jaisalmer in Rajasthan, playing traditional folk music on their instruments. They are wearing the colourful turbans (pagris) and white robes typical of this region. The two box-shaped keyboard instruments (on the left and in the middle) are harmoniums. They produce sound via a built-in bellows, which is pumped with one hand whilst the other hand plays the keys. The horizontal drum on the right is a dholak. It is a double-headed hand drum that is very widely used in Indian folk music. The repertoire often includes Qawwali songs and epic chants that have been passed down through generations. – 1990

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